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With that and his Oscar-nominated performance in Last Tango in Paris, Brando re-established himself in the ranks of top box-office stars, placing sixth and tenth in the Money Making Stars poll in 19, respectively.
Brando took a four-year hiatus before appearing in The Missouri Breaks (1976).
He initially gained acclaim and an Academy Award nomination for reprising the role of Stanley Kowalski in the 1951 film adaptation of Tennessee Williams' play A Streetcar Named Desire, a role that he originated successfully on Broadway.
He received further praise for his performance as Terry Malloy in On the Waterfront, and his portrayal of the rebellious motorcycle gang leader Johnny Strabler in The Wild One proved to be a lasting image in popular culture.
After 10 years, during which he did not appear in a successful film, he won his second Academy Award for playing Vito Corleone in Francis Ford Coppola's The Godfather, a role critics consider among his greatest.
The Godfather was then one of the most commercially successful films of all time.
He enjoyed telling me I couldn't do anything right.
Brando received Academy Award nominations for playing Emiliano Zapata in Viva Zapata! Mankiewicz's 1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd Gruver in Sayonara (1957), an adaption of James Michener's 1954 novel.
Brando was included in a list of Top Ten Money Making Stars three times in the 1950s, coming in at number 10 in 1954, number 6 in 1955, and number 4 in 1958. He directed and starred in the cult western film One-Eyed Jacks, a critical and commercial flop, after which he delivered a series of box-office failures, beginning with the 1962 film adaptation of the novel Mutiny on the Bounty.
An actress herself and even a theatre administrator, she helped Henry Fonda begin his acting career.
However, she was an alcoholic and often had to be brought home from Chicago bars by her husband.